‘In Bamako we say I ka nyé tan’ which in English means “you look well”, but in fact it means “you look beautiful like that”. Art is beauty.’ - Seydou Keïta, 1997
The Jack Bell Gallery is pleased to announce an exhibition of photography by Seydou Keïta. Considered to be one of the important precursors of African photography, Keïta eloquently portrays Bamako society during its era of transition from a cosmopolitan French colony to an independent capital.
Initially trained by his father to be a carpenter, Keïta’s career as a photographer was launched in 1935 by an uncle who gave him his first camera, a Kodak Brownie Flash, which he had purchased during a trip to Senegal. Having mastered the technical challenges of shooting and printing during adolescence, in 1948 he opened his own studio in Bamako and quickly built up a successful business. Opting for a larger format camera, Keïta not only captured an exceptional degree of resolution, he could also make high quality contact prints without the aid of an enlarger.
Whether photographing single individuals, families, or professional associations, Keïta balanced a strict sense of formality with a remarkable level of intimacy with his subjects. He furnished his studio with numerous props, from backdrops and costumes, to Vespas and luxury cars. Keïta would renew these props every few years, which later allowed him to establish a chronology for his work. His unique images reflect both his client’s social identity within the community and their enthusiastic embrace of modernity. Keïta commented on his studio practice, “It’s easy to take a photo, but what really made a difference was that I always knew how to find the right position, and I was never wrong. Their head slightly turned, a serious face, the position of the hands . . . I was capable of making someone look really good.”
The thousands of portraits that Keïta took form an outstanding record of Malian society between the end of the Forties and the early Sixties. For curator Andre Magnin, Keïta was inventive and highly modern. His emphasis on the essential components of portrait photography—light, subject, framing—firmly establishes Keïta among the twentieth-century masters of the genre. ‘Through his quest for accuracy,’ says Magnin, ‘Seydou Keita seems intuitively to have reinvented the art of the portrait’.
His archive of over 10,000 negatives was gradually brought to light in the early 1990s; Keïta has since achieved international recognition and exhibited at Cartier Foundation for Contemporary Art, Paris, National Museum of African Art, Washington, D.C., Museum of Fine Art, Houston, Guggenheim Museum, NY, Museum of Modern Art, SF, UCLA Hammer Museum, LA, Fogg Art Museum, Cambridge, USA, Serpentine Gallery, London, National Portrait Gallery, London & TATE Modern, London among others. His photographs are included in important public and private collections worldwide.
Exhibition in association with Ray Hughes Gallery, Sydney.